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2006 studio album by Arctic Monkeys

2006 studio album by Arctic Monkeys

Whatever People Say I Am, That's What I'thousand Non
Whatever People Say I Am, That's What I'm Not (2006 Arctic Monkeys album).jpg
Studio album by

Arctic Monkeys
Released 23 Jan 2006
Recorded June–September 2005
Studio
  • The Chapel, Lincolnshire
  • 2 Fly, Sheffield[a]
Genre
  • Indie rock
  • garage rock revival
  • post-punk revival
  • punk rock
  • alternative stone
  • post-Britpop
Length forty:56
Label Domino
Producer Jim Abbiss[a]
Arctic Monkeys chronology
Whatever People Say I Am, That's What I'chiliad Not
(2006) 		Favourite Worst Nightmare
(2007)
Singles from Whatever People Say I Am, That'south What I'chiliad Not
  1. "I Bet You Look Good on the Dancefloor"
    Released: 17 October 2005
  2. "When the Sun Goes Downward"
    Released: 16 January 2006

Whatever People Say I Am, That's What I'm Not is the debut studio anthology by English stone band Arctic Monkeys, released on 23 January 2006 by Domino Recording Company and on 21 Feb 2006 in the United states. The album includes their start two singles "I Bet Yous Look Good on the Dancefloor" and "When the Sun Goes Down", as well as re-recorded versions of both tracks from the band's debut EP, V Minutes with Arctic Monkeys. This is the only Arctic Monkeys album with bassist Andy Nicholson, as he left the ring soon after the album's release.

Forming in 2002, Arctic Monkeys frequently gave abroad gratuitous demo CDs to fans at gigs, which resulted in fans uploading the band's music to social media sites. Every bit their attending hugely grew, the band had garnered great demand from fans, the press and the music manufacture. Several of the album'due south tracks had been released for costless via the Internet in late 2004, which consolidated on the unofficial Beneath the Boardwalk compilation. Musically, Whatsoever People Say I Am, That's What I'm Not features indie rock, garage rock revival, mail-punk revival, punk rock, alternative rock, and Britpop. Its thematic content has been likened to a concept, generally concerning nightlife, including lyricism surrounding clubbing and pub culture, and romance from the perspective of young Northerners.

Prior to the release of Whatsoever People Say I Am, That's What I'm Not, Arctic Monkeys achieved their first United kingdom number-ones with "I Bet Y'all Look Skilful on the Dancefloor", which was the most acclaimed song of 2005, and "When the Lord's day Goes Down". The album became the fastest selling debut album in British music history, selling over 360,000 copies in its kickoff week, and remains the fastest selling debut album past a band. It has since gone 6× platinum in the Great britain. In the US, it as well became the second-fastest selling independent record label debut album in history and was certified gold by RIAA for selling 500.000 copies in that location.

The album received widespread disquisitional acclamation from critics for its delineation of youth British culture and for resurging British indie music that had waned after the 1990s. Among its accolades included being named the best album of 2006 by Time magazine, winning the Brit Award for Best British Anthology, winning the 2007 Mercury Prize, and receiving a Grammy Laurels nomination for All-time Alternative Music Album. Information technology has been ranked in several greatest albums lists', including 371 in Rolling Stone 'due south 500 Greatest Albums of All Time, 19 in NME's 500 Greatest Albums of All Time, and thirty in Rolling Stone's 100 Best Debut Albums of All Time.

Composition and content [edit]

Musically, Whatsoever People Say I Am, That'due south What I'thou Not features indie rock,[1] [2] garage rock revival,[i] [3] post-punk revival,[ane] punk rock,[one] [4] alternative rock,[i] [5] and post-Britpop.[vi] The common thematic content of the album has led to it existence considered past some a concept album concerning "the lives of young Northern England clubbers".[7] All tracks record first-person narratives of observations made within this context. "I Bet You Look Good on the Dancefloor", "Still Take You Home", "You Probably Couldn't See for the Lights but You lot Were Staring Straight at Me" and "Dancing Shoes" all examine human behaviour in nightclubs. Frontman Alex Turner describes "Dancing Shoes" as existence about "people always looking to pull when they go out notwithstanding much they mask it."[viii]

Other songs examine other aspects of nightlife; "From the Ritz to the Rubble" is an account of nightclub bouncers, "Red Light Indicates Doors Are Secured" tells the typical experiences and troubles of getting a taxicab after a night out, and "When the Sun Goes Downwards" was inspired by prostitutes in the locality of their practice room in the Neepsend commune of Sheffield.[ix] Other songs are themed on romantic relationships, such every bit "Mardy Bum", or youth subcultures, such as "Fake Tales of San Francisco" and "A Sure Romance". In NME 'south list of the top 100 tracks of the decade, "A Certain Romance" was described as "a strangely even-handed vocal which starts out scorning local townies then appears to absolve them at the end of the vocal."[10]

Title and artwork [edit]

The anthology's title was taken from a line from the novel Sat Dark and Dominicus Morning written by Alan Sillitoe. The name was chosen later Turner recognised similarities betwixt the two works and the ceremoniousness of the title. He said that "it's good because the book is called Sat Dark and Lord's day Forenoon and that'due south kind of what the album is, so there's a link there. And also, at that place's a lot of people proverb a lot of things about usa and you don't have control over information technology."[xi] He also said that "songs including 'The View from the Afternoon', 'Dancing Shoes', 'Still Take You lot Home' and 'From the Ritz to the Rubble' all encompass that chip of the weekend and feature the aforementioned graphic symbol."[12]

The album's cover is a black-and-white photograph of Chris McClure, a close friend of the ring who is the pb singer for The Violet May and the brother of Reverend and The Makers atomic number 82 singer Jon McClure, which was taken in the early on hours of the morning at the Korova bar in Liverpool.[11] The band had given him, his cousin, and his best friend £70 to spend on a dark out.[thirteen] The epitome caused some controversy when Laurence Gruer of NHS Scotland criticised the cover for "reinforcing the idea that smoking is okay".[14] The ring's production managing director denied the accusation, and in fact suggested the contrary: "You tin can see from the paradigm smoking is not doing him the world of expert." Billboard advertisements for the album used a similar image to the cover picture, but without the cigarette.

Release and promotion [edit]

Forming in 2002, Arctic Monkeys oft gave abroad free demo CDs to fans at gigs, which resulted in fans uploading the ring's music to social media sites,[fifteen] and as their attending hugely grew, the band had garnered not bad demand from fans, the printing and the music industry.[fifteen] Prior to the release of the album, the tracks "Mardy Bum", "I Bet You Expect Good on the Dancefloor", "Fake Tales of San Francisco", "Dancing Shoes", "Still Have You lot Abode", "Riot Van", "When the Sun Goes Down" (and then known every bit "Scummy" or "Scummy Human") and "A Certain Romance" had been released for gratuitous via the internet in tardily 2004 and consolidated on the unofficial Beneath the Boardwalk compilation.

"I Bet You Look Good on the Dancefloor" was released as the first single from the album, the song debuted at number i on the Great britain Singles Chart in Oct 2005 for one week, knocking Sugababes' "Push button the Button" off the top. "I Bet You Look Good on the Dancefloor" was the most acclaimed song of 2005.[16] "When the Sun Goes Down" was released as the second unmarried from the album in January 2006, also debuting at number one on the United kingdom of great britain and northern ireland Singles Chart, becoming their second consecutive Uk number-one single.

The original release date was thirty January 2006, simply was brought forrard to 23 January 2006 due to "high need". Although the aforementioned was done with Franz Ferdinand, information technology was speculated that the move was an attempt to counter the effects of the anthology's leak onto online file-sharing sites.[17] The re-recorded album versions had been leaked onto the internet by December 2005.

On the showtime solar day of its release, the album became the fastest-selling debut album in British history, selling just under 120,000 copies. By the stop of the week, the album had sold 363,735 copies—more than the residual of the top 20 combined and making it the overall fastest selling debut anthology in British history. Its release in the United States on 21 February 2006 saw it get the second fastest selling debut indie anthology in history,[18] turning over around 34,000 copies in its first week and achieving number 24 in the album charts and was certified Gilt by RIAA for indicating sales of 500,000 copies in August 2017. The album too went to number one in Australia and Ireland. U.k. sales as of September 2013 stood at 1,475,982 copies.[19] In February 2014, the anthology was certified v× Platinum, and [twenty] 6x Platinum past November 2018 for indicating sales of 1,800,000 copies.

"The View from the Afternoon" was expected to have been the band'southward third single, following Britain number ones "I Bet You Await Good on the Dancefloor" and "When the Sun Goes Downwards", but the ring announced in March 2006 that its next tape would be a v-track EP,[21] which thereby disqualified it from being listed in the United kingdom of great britain and northern ireland Singles Chart and United kingdom Albums Nautical chart.[22]

The rails "Mardy Bum", while non released equally a single, appeared on radio playlists throughout the UK in mid-2006, and is still played infrequently on BBC Radio 1 and some alternative rock stations such as Sirius XM's Sirius XMU. The rail "A Certain Romance" was ranked number 90 in Pitchfork Media 'southward Meridian 100 Tracks of 2006 and cited as the standout track.[23] NME also placed "A Certain Romance" at 10 in their listing of 100 Tracks of the Decade.[ten] In October 2011, NME placed it at number 140 on its list "150 Best Tracks of the Past 15 Years".[24]

In the United states, "Fake Tales of San Francisco" was released equally the anthology'southward 3rd single and peaked at number xxx on the Billboard charts.

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 82/100[25]
Review scores
Source Rating
AllMusic [26]
Entertainment Weekly A−[27]
The Guardian [nine]
Los Angeles Times [28]
NME 10/10[29]
Pitchfork 7.iv/10[30]
Q [31]
Rolling Stone [32]
Spin B+[33]
The Village Voice A−[34]

Since its release, the anthology has received widespread acclaim from critics. On Metacritic, information technology has a weighted average rating of 82 out of 100 based on 33 reviews, indicating "universal acclamation".[25] Information technology featured highly in many twelvemonth-end lists and has been hailed as a modern classic.[35] Many critics and figures in the British media hyped the Chill Monkeys and their rapid ascension to acclaim through unconventional means[9] [36] [30] and some even cited the Arctic Monkeys as revolutionising the style people find music as they built a fanbase on the basis of a few demos shared past fans through the cyberspace.[37] Critics hugely praised the anthology for its depiction of youth British Civilization and for resurging British indie music that had waned after the 1990s.[15]

NME declared the Arctic Monkeys "Our Generation's Most Of import Band", and Alex Turner's lyrics and depiction of Sheffield, and the night lives of teenagers in particular, were praised, with him beingness labelled as a "master of observation"[29] and U.s. Today writing "you probably won't hear a better CD all year long", calling information technology "utterly infectious".[35] MusicOMH wrote that it was the sort of guitar stone that "makes you fall in dear with music all over over again" and along with many other critics cited "A Certain Romance" as the standout rails and as existence "a wonderfully articulate dissection of youth culture that belies Turner's tender years". It was, yet, noted that some of the tracks which had previously been released on the internet as demos had lost some of their quality and "don't audio equally good".[36]

In 2013, seven years after its release, Rolling Stone wrote, "It turned out that all the Monkeys needed to conquer the earth was scrappy, lager-fueled tunes about being young and bored in a dour steel town [...] Thanks to Turner's big handbag of creaky melodies and the band's snaggletoothed guitar attack, even America couldn't resist pub-punk gems like the raging, sexy "I Bet You Await Skillful on the Trip the light fantastic Floor."[38]

Accolades [edit]

Awards and nominations [edit]

  • Winner of the Barclaycard Mercury Prize
  • Best Anthology – Q Awards[43]
  • Album of the Twelvemonth – NME [44]
  • Album of the Year – Crossbeat magazine (Japan)[45]
  • Anthology of the Year – Time [46]
  • Album of the Year – Hot Printing (Republic of ireland)[47]
  • Best International Album – Meteor Music Awards (Ireland)[48]
  • Best British Anthology – 2007 BRIT Awards[49]
  • Best British Grouping – 2007 BRIT Awards[49]
  • Best Culling Music Album – 2007 Grammy Awards[fifty]

In 2009 the album placed at number 9 in MTV's 'Greatest Anthology Ever' online poll.[51] The album was also included in the volume 1001 Albums You Must Hear Before You Die.[52] It was ranked thirty in Rolling Stone's 100 Best Debut Albums of All Time.[53] As of May 2021, the album has remained on the UK Indie Chart for 706 weeks.[54]

Rails listing [edit]

All tracks are written by Alex Turner, except where noted.

No. Title Writer(south) Length
i. "The View from the Afternoon" iii:38
two. "I Bet You Look Proficient on the Dancefloor" ii:53
3. "Fake Tales of San Francisco" 2:57
four. "Dancing Shoes" two:21
5. "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" 2:ten
6. "Still Take You lot Dwelling" Alex Turner, Jamie Melt 2:53
7. "Riot Van" 2:14
8. "Ruby Lite Indicates Doors Are Secured" 2:23
nine. "Mardy Bum" 2:55
10. "Perhaps Vampires Is a Bit Strong Only..." 4:28
eleven. "When the Lord's day Goes Down" 3:20
12. "From the Ritz to the Rubble" three:13
thirteen. "A Certain Romance" 5:31
Total length: 40:56

Personnel [edit]

Credits adapted from liner notes.[55]

Chill Monkeys

  • Alex Turner – lead and backing vocals, lead and rhythm guitar, percussion
  • Jamie Cook – rhythm and lead guitar, bankroll vocals
  • Andy Nicholson – bass guitar, backing vocals
  • Matt Helders – drums, percussion, backing vocals

Technical

  • Jim Abbiss – production, recording, mixing (track 9)
  • Alan Smyth – production (rail 9), additional recording (track 11)
  • Ewan Davies – recording
  • Andreas Bayr – recording (track 9)
  • Simon 'Barny' Barnicott – mixing
  • Owen Skinner – mixing aid

Pattern

  • Juno Liverpool – design
  • Alexandra Wolkowicz – photography
  • Andy Dark-brown – photography

Charts [edit]

Certifications [edit]

Notes [edit]

  1. ^ a b Except "Mardy Bum", recorded at Telstar, Munich and produced past Alan Smyth.

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  102. ^ "Italian album certifications – Arctic Monkeys – Whatever People Say I Am, That'south What I'one thousand Not" (in Italian). Federazione Industria Musicale Italiana. Retrieved 20 September 2021. Select "2021" in the "Anno" drop-down carte du jour. Select "Whatever People Say I Am, That's What I'1000 Not" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
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  107. ^ "American album certifications – Arctic Monkeys – Whatsoever People Say I Am, That's What I'm Not". Recording Manufacture Association of America.

External links [edit]

  • Whatever People Say I Am, That's What I'm Not at Discogs (list of releases)

boomersheire.blogspot.com

Source: https://en.wikipedia.org/wiki/Whatever_People_Say_I_Am,_That%27s_What_I%27m_Not

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